CHARIS Repertoire
Although Charis performs repertoire from Renaissance to Contemporary, the
group concentrates on settings of fine poetry by contemporary American
composers. Charis has performed (and recorded) a number of works by such composers,
including James Bassi, Franz Biebl, Julie Dolphin, William Hawley, Judith Zaimont, Nancy Wertsch, Elliot Z. Levine,
and James Harold Carr.
In addition to various benefits and special appearances,
Charis typically prepares a fall and a spring program, each with several
performances. Some of the group's previous concert programs are summarized
below:
Seventeenth Season
|
Spring 2010:
Beautiful Dreamers
|
A musical potpourri featuring a varied selection of works including music by
the illustrious Bach family, Henry Purcell, Adrian Batten as well as
Madrigals by Robert Convery and songs by Stephen Foster.
|
Fall 2009:
A Christmas Candlelight Concert
|
Celebratory songs from around the
world, featuring works by Mendelssohn, Holst, Saint-Saens and Handel.
Also: Christmas motets by French composer Pierre Villette, carols from
Scandinavia and seasonal favorites for the audience sing along.
|
Sixteenth Season
|
Spring 2009:
Mary the Muse
|
Bernstein, Conte, Grieg, Poulenc, Rachmaninov, Rutter, Schubert, Stravinsky, Tchaikovsky and more, plus: World Premier and U.S. Premier performances.
|
Fall 2008:
Carols & Lullabies
|
Benjamin Britten, Conrad Susa, plus Rutter, Howells, Willcocks, Darke, Mathias and more.
|
Fourteenth Season
|
Spring 2007:
The Earth is Our Mother
|
Featuring works by Dave Brubeck's (choir and jazz ensemble),
David Hamilton, David Griffiths, Ronald Perrera, Elgar, Finney, Paulus and Britten.
|
Fall 2006:
A Global Village Christmas
|
Celebratory and serene Christmas songs and carols from around the world,
featuring works by Britten, Holst, Lauridsen, Arvo Part and including a set of American Christmas spirituals as well as a sampling of other Christmas songs spanning the globe from Africa to Latvia.
|
Thirteenth Season
|
Spring 2006:
Animal Passion
|
Featuring Benjamin Britten's Rejoice in the Lamb as well as works by Janequin, Gibbons, Taverner, Hindemith, Stanford and more.
|
Fall 2005:
O Lovely Light
|
This Program features a selection of traditional English Carols including "Lo How a Rose 'er Blooming" and
"The Coventry Carol" (Lullay thou Little Tiny Child) as well as Charpentier "Messe de Minuit pour Noel",
Victoria "O Magnum Mysterium", Bach "O Jesulein Suss, O Jesulein Mild", "In Dulci Jubilo" and other works by
Handl, Purcell, Praetorius, Sweelinck and Weelkes performed with Baroque instrumental ensemble including
recorders, lute and strings.
|
Eleventh Season (Tenth Anniversary Season!)
|
Spring 2004:
Make Our Garden Grow
|
Aaron Copland's In the Beginning, Randall Thompson's The Peacable Kingdom,
an arrangement of Bernstein's Make our Garden Grow (from Candide),
music
by Jerome Kern (I'm Old Fashioned, The Song is You, All the Things You Are),
Stephen Sondhiem (Sunday - from Sunday in the Park with George),
and more.
|
Fall 2003:
My Soul Doth Magnify
|
Magnificats by Bach, Purcell and Finzi; Mozart's Exsultate Jubilate;
Billings Anthem for Thanksgiving, and cuts from our 2003 CD, Hoping It Might Be So: Christmastide.
|
Ninth Season |
Spring 2002: Jazzy Roots from Paris to Broadway |
Works by
Poulenc, Debussy, Ravel, Jerome Kern,
Gershwin, Cole Porter and others.
|
Fall 2001: Handel's Messiah |
Performed at Tarrytown Music Hall with guest singers and full baroque orchestra.
|
Eighth Season |
Spring 2001: Marvelous Madrigals: the creme of
Italian, English, and French Renaissance madrigal literature
|
Works by
Wilbye, Morley, Montiverde, Orlando di Lasso, Purcell and others.
|
December 2000: Rutter Gloria |
Charis performs, with brass, percussion and organ accompaniment
John Rutter's Gloria, along with Chrismas music featuring new settings of
traditional carols by American composers, including James Bassi, Elliot Z. Levine, Johannes Somary,
and Nancy Wertsch.
|
Seventh Season |
Spring, 2000 Choir From Heaven: Baroque Brilliance |
Charis performed J.S. Bach's Jesus, meine Freude and Scarlatti's St. Cecelia
Mass of 1720 with some of New York's finest period instrumentalists.
|
Fall, 1999: Goin' Home |
The music of Americans willing to face pain,
instability, and death in exchange for entrance to the New World and,
ultimately, to the Kingdom of God.
This concert featured a panorama of American music, from hymns of Colonial
New England to twentieth-century poetry. Early American selections included
sacred songs by Billings, Wood and Jenks. Folk and popular songs performed
included arrangements of Shenandoah, Johnny, I Hardly Knew Ye and the
world premiere of three works by New York composer (and, now, Charis member) Julie Dolphin.
|
December, 1999: Winter Solstice Benefit |
Charis & Friends: A Benefit for the Nature Conservancy
|
Sixth Season |
Spring, 1999 Dido & Aeneas |
Charis Chamber voices presented a semi-staged performance of Purcell's
miniature opera Dido and Aeneas. The work was performed with period
instruments and featured Charis director Susanne Peck in the title role. The
program was completed by a performance of Monteverdi's haunting Lamento
d'Arianna , performed along with his celebrated Madrigals from Book IV.
|
Fall, 1998: December Joy |
This holiday concert by Charis Chamber voices featured choral songs and
motets from the Middle Ages to the present by Poulenc, Howells, Rutter,
Holst, Sametz, and Durufle.
|
December, 1998: Winter Solstice Benefit |
Charis & Friends: A Benefit for the Nature Conservancy
|
Fifth Season |
Spring, 1998: A Rich Array:Post-Romantic English and American Choral Works |
In celebration of Spring, Westchester's Charis Chamber Voices presents
songs of nature and love by post-romantic composers such as Elgar, Britten,
Barber, Vaughan Williams, and Musgrave. The music's rich sonorities and lush
melodies beautifully illustrate the expressive pastoral and love poetry of
Shakespeare, Herrick, Crabbe, Clare, Stephens, and Wyatt. Susanne Peck,
director of Charis, said: "This music flirts with ambiguity. The delayed
cadences and resolutions keep us on the threshold of tension and release."
|
Fall, 1997: Two Choirs from Heaven: Baroque Choral Masterpieces |
Charis Chamber Voices joined with New York City's
Cerddorian Vocal Ensemble
to perform Baroque works for two choirs, continuo organ, cello, and theorbo.
Beginning with Venetian works by Gabrielli, the concert program traces the
evolution of German Baroque music through its acclaimed masters: Schütz,
Schein, and Bach.
In addition to our normal Westchester venues, a special performance at Church
of the Ascension in New York City.
|
Fourth Season |
Spring, 1997: Birds and Beasts: Animal Themes in Choral Literature |
The feathered and furry kingdom has inspired great range of sentiment in
the human heart. Here is a collection of songs and choral settings by some
of the finest composers for voice -- Francis Poulenc, Samuel Barber, Johannes
Brahms, Orlando Gibbons -- in praise and awe of animals.
|
Fall, 1996: Serenity's Hour: New Choral Arrangements of Seasonal Poetry |
Extraordinary new Christmas holiday settings of high-quality poetry by the
likes of e.e. cummings and Thomas Hardy are being created in Minnesota, Iowa,
California, Spain, and Norway for chamber choirs. New York City composer
Elliot Z. Levine provides exceptional Chanukah music, and one never tires of
Benjamin Britten's medieval carol settings for harp and choir. The harp, as
well as a guitar, are featured in three other works for this program's
seasonal allure.
|
Third Season |
Spring, 1996: Sweet May: Songs from the Twelfth to the Twentieth Century Composed by Women |
This program featuree choral music by women composers, starting with the
twelfth-century genius Hildegard von Bingen. Women from Baroque Italy under
the auspices of church, court, and renowned parentage contrast with Amy
Beach, one of America's -- in fact, the world's -- first women to strike out
onto the professional stage on the merits of talent and accomplishment alone.
The majority of women composing today in America are educators, several of
whom are here represented in amusing, lyrical, and very finely crafted choral
works.
|
Fall, 1995: I Love My Love: A Concert of Songs About Folk Life |
Themes of country life and love abound in Brahms' Neue Liebeslieder
Walzer, a moderately difficult second-foreign-language project, here
undertaken alongside settings of English and American folksongs, with one
challenging Spanish hot pepper by Aaron Copeland.
|
Second Season |
Spring, 1995: Italian Spring: A Madrigal Concert |
Without question, the mother tongue of vocal technique and literature is
Italian. As a first foreign-language project, this program presents Italian
madrigals from the sixteenth, seventeenth, and eighteenth centuries, as well
a set of contemporary madrigals from 1986 by Italian-American composer
William Hawley.
|
Fall, 1994: Heart's Turning: A Harvest Concert of American Music |
In keeping with the turn of season, this program honors the festival of
Thanksgiving with an overview of American compositions: sacred settings from
colonial days and from nineteenth-century New England's quintessentially
American Charles Ives, traditional folksong arrangements, spirituals, Randall
Thompson's 1959 settings of Robert Frost poetry and, finally, works of
current-day New York City composer Elliot Z. Levine.
|
First Season |
Spring, 1994: The Birth of Charis: A Concert Celebration of Spring |
In celebration of seasonal renewal and the emergence of our new arts
organization, this program presents a collection of British and American
madrigals and choral songs about spring. For the occasion, an a cappella
composition, Spring Cycle: Vernal Incantations, was commissioned from poet
Lynette Peck and composer James Carr.
|
Repertoire
The following is a partial list of pieces in Charis's repertoire.
Some songs appear on our CD Collection and are marked with the
icon for streaming Windows Media files. They are optimized for a 32K bps connection, and should play using the
Windows Media Player or the
Real One Player (if they don't play for you, try these links to upgrade your player).
Composer |
Piece |
Date |
Performed |
Comment |
(anon) |
There is no Rose |
1420 (ca.) |
?? |
|
(anon) |
I Wonder As I Wander |
?? |
2003-CD |
Solo: Susanne Peck, Soprano |
(anon) |
Angelus ad Virginem |
1300's (ca.) |
?? |
|
(anon) ?? |
Personent Hodie |
?? |
2003-CD |
 |
?? |
Carol of the Bells |
?? |
?? |
|
?? |
Christmas Song |
?? |
?? |
|
?? |
Deck the Halls |
?? |
?? |
|
?? |
Deep River |
?? |
?? |
|
?? |
Go Tell It |
?? |
?? |
|
?? |
Good King Wenceslaus |
?? |
?? |
|
?? |
Harvest Hymn |
?? |
?? |
|
?? |
Jesus Child |
?? |
?? |
|
?? |
S' Vivon |
?? |
?? |
|
?? |
Silent Night |
?? |
?? |
|
?? |
We Wish you a Merry Christmas |
?? |
?? |
|
?? |
White Christmas |
?? |
?? |
|
?? |
Hanerot |
?? |
?? |
|
Arcadelt, Jacques |
Il bianco e dolce cigno |
1505-1568 |
2003 (and before) |
|
Bach, J.S. |
Magnificat |
?? |
2003-Nov |
|
Barber, Samuel |
Anthony O' Daly |
?? |
?? |
From: Reincarnations |
Barber, Samuel |
Mary Hynes |
?? |
?? |
From: Reincarnations |
Barber, Samuel |
The Coolin' |
?? |
?? |
From: Reincarnations |
Barber, Samuel |
Saint Ita's Vision |
?? |
2003-CD |
Solo: Susanne Peck, Soprano |
Bassi, James |
Quem Pastores Laudavere |
2003-CD |
|
 |
Bellingham |
Invocation |
?? |
?? |
|
Bennet, John |
Let go, why do you stay me? |
1575-1614 |
2003 |
|
Biebl, Franz |
Ave Maria |
1964 |
2003-CD |
Solo: Scott Munson, Tenor; Todd Takken, Baritone |
Billings, William |
Fare You Well, My Friends |
?? |
?? |
|
Billings, William |
Africa |
1746-1800 |
2000-CD |
 |
Brahms, Johannes |
Vier Gesänge |
1833-1897 |
2003 |
|
Brahms, Johannes |
Die Wollust in den Maien |
1833-1897 |
2003 |
|
Brahms, Johannes |
Liebeslieder (Waltzes) |
1833-1897 |
1993 |
(with Philharmonia Virtuosi) |
Britten, Benjamin |
Ballad of Green Broom |
?? |
?? |
From: Five Flower Songs, Op. 47 |
Britten, Benjamin |
Marsh Flowers |
?? |
?? |
From: Five Flower Songs, Op. 47 |
Britten, Benjamin |
The Evening Primrose |
?? |
?? |
From: Five Flower Songs, Op. 47 |
Britten, Benjamin |
The Succession of the Four Sweet Months |
?? |
?? |
From: Five Flower Songs, Op. 47 |
Britten, Benjamin |
To Daffodils |
?? |
?? |
From: Five Flower Songs, Op. 47 |
Byrd |
Keel Row |
?? |
?? |
|
Carr, James |
Spring Cycle I, II, III |
1994 |
2000-CD |
(I), (II), (III) |
Chapman |
She's Like a Swallow |
?? |
?? |
|
Clemens, James E. (Arr.) |
The Holly She Bears A Berry |
?? |
2003-CD |
 |
Copland, Aaron |
The Promise of Living |
?? |
?? |
|
Copland, Aaron |
Zion's Walls |
?? |
?? |
|
Copland, Aaron |
Long Time Ago |
1900-1990 |
2000-CD |
 |
de Lassus, Orlande |
Mon Coeur se recommande à vous |
1532-1594 |
2003 (and before) |
|
Delius, Frederick |
On Craig Ddu |
1862-1934 |
2003 |
|
Dietterich |
Followers of the Lamb |
?? |
?? |
|
Dolphin, Julie |
Common Bill |
1999 |
?? |
|
Dolphin, Julie |
Hallelujah, I'm a Bum |
1999 |
2000-CD |
 |
Dolphin, Julie |
I Am a Poor Wayfaring Stranger |
1999 |
2000-CD |
 |
Dolphin, Julie |
October |
1999 |
2000-CD |
Solo: Susanne Peck, Soprano |
Dolphin, Julie |
Adieu |
1999 |
2000-CD |
 |
Dolphin, Julie |
Christmas Peace |
?? |
2003-CD |
 |
Duruflé, Maurice |
Tota Pulchra es (from Quatre Motets) |
1960 |
?? |
|
Duruflé, Maurice |
Ubi Caritas (from Quatre Motets) |
1960 |
?? |
|
Elgar, Edward |
My Love Dwelt in a Northern Land |
1857-1934 |
2003 (and before) |
|
Erb, James (arr.) |
Shenandoah |
?? |
2000-CD |
 |
Farrell, Neil (Arr.) |
In the Bleak Midwinter |
?? |
2003-CD |
 |
Finzi, Gerald |
Magnificat |
?? |
2003-Nov |
|
Gaffney, Suz (arr.) |
Frosty the Snowman |
?? |
?? |
|
Gaffney, Suz (arr.) |
Let it Snow |
?? |
?? |
|
Gaffney, Suz (arr.) |
Rudolph the Red-nosed Reindeer |
?? |
?? |
|
Gaffney, Suz (arr.) |
Santa Claus is Coming to Town |
?? |
?? |
|
Gaffney, Suz (arr.) |
Winter Wonderland |
?? |
?? |
|
Gibbons, Orlando |
The silver swan |
1583-1625 |
2003 (and before) |
|
Grainger |
Londonderry Air |
?? |
?? |
|
Handl, Jacob |
Mirabile Mysterium |
1586 |
?? |
|
Hess, Marjorie |
The Oxen |
?? |
2003-CD |
 |
Holst, Gustav |
My Sweetheart's like Venus |
?? |
?? |
|
Holst, Gustav |
Rig Veda |
?? |
?? |
|
Holst, Gustav (arr.) |
Personent Hodie |
1582 |
?? |
|
Houkom, Alf |
The Rune of Hospitality |
?? |
2003-CD |
 |
Howells, Herbert |
A Spotless Rose |
1919 |
?? |
|
Howells, Herbert |
Come Sing and Dance |
?? |
2003-CD |
Solo: Susanne Peck, Soprano |
Ives, Charles E. |
Crossing the Bar |
1891 |
?? |
|
Ives, Charles E. |
Serenity |
?? |
2000-CD |
 |
Jenks, Stephen |
Decay |
1772-1856 |
?? |
|
Jenks, Stephen |
Sorrow's Tear |
1772-1856 |
2000-CD |
 |
Kimball, Moses (Arr.) |
Hatfield |
1794 |
2000-CD |
 |
Levine |
Lo V'Chayil |
?? |
?? |
|
Levine, Elliot Z. |
While Shepherds Watched Their Flocks |
?? |
2003-CD |
 |
Lowry, J.C. |
The Traveller |
?? |
2000-CD |
 |
Monteverdi |
Lamento d'Arianna |
?? |
?? |
|
Monteverdi |
Madrigals from Book IV |
?? |
?? |
|
Monteverdi, Claudio |
Quel augellin che canta |
1567-1643 |
2003 (and before) |
|
Monteverdi, Claudio |
Ohimè! se tanto amate |
1567-1643 |
2003 (and before) |
|
Morgan, Justin |
Amanda |
1747-1798 |
?? |
|
Morley, Thomas |
I go before my darling |
1557-1602 |
2003 (and before) |
|
Morley, Thomas |
Miraculous love's wounding |
1557-1602 |
2003 |
|
Mozart |
Exsultate Jubilate |
?? |
2003-Nov |
Solo: Susanne Peck, Soprano |
Musgrave, Thea |
At Most Mischief |
?? |
?? |
|
Musgrave, Thea |
Hate Whom Ye List |
?? |
?? |
|
Musgrave, Thea |
Tanglid I was |
?? |
?? |
|
Musgrave, Thea |
With Serving Still |
?? |
?? |
|
Parker, Alice (arr.) |
Johnny, I Hardly Knew Ye |
?? |
2000-CD |
 |
Parry, Hubert |
There is an old belief |
1848-1918 |
2003 |
|
Peck, Susanne |
Hodie |
2003 |
2003-CD |
 |
Peck, Susanne (Arr.) |
Masters In This Hall |
2003 |
2003-CD |
 |
Poulenc, Francis |
Hodie Christus Natus Est |
1952 |
?? |
|
Poulenc, Francis |
O Magnum Mysterium |
1952 |
?? |
|
Poulenc, Francis |
Quem Vidistis Pastores Dicite |
1952 |
?? |
|
Poulenc, Francis |
Videntes Stellam |
1952 |
?? |
|
Purcell, Henry |
Dido and Aeneas |
?? |
?? |
|
Purcell, Henry |
Magnificat |
?? |
2003-Nov |
|
Read, Daniel |
Newport |
?? |
?? |
|
Rutter, John |
Gloria |
?? |
?? |
|
Rutter, John |
There is a Flower |
1986 |
2003-CD |
Solo: Colleen McMahon, Soprano |
Sametz, Steven |
Noel! |
1995 |
?? |
|
Schubert, Franz |
Ständchen (Serenade) |
1797-1828 |
2003 |
|
Schubert, Franz |
Die Forelle (The Trout) |
1797-1828 |
2003 |
|
Schubert, Peter (Arr.) |
We Three Kings |
?? |
2003-CD |
 |
Somary, Anne (Arr.) |
Wassail |
?? |
2003-CD |
 |
Somary, Johannes (Arr.) |
Let All Mortal Flesh Keep Silence |
?? |
2003-CD |
Solo: Anne Harris, Soprano |
Thompson, Randall |
Choose Something Like a Star |
1942 |
?? |
From: poems by Robert Frost |
Thompson, Randall |
Road Not Taken |
1942 |
?? |
From: poems by Robert Frost |
Wertsch, Nancy |
O Magnum Mysterium |
?? |
2003-CD |
Solo: Julie Dolphin, Soprano |
White, J.T. (arr.) |
All is Well, P.M. |
1844 |
2000-CD |
 |
Wilberg, Mack (arr.) |
I'm Goin' Away |
?? |
2000-CD |
 |
Wilbye, John |
Sweet honey-sucking bees |
1574-1638 |
2003 (and before) |
|
|
|
|
|
|
|
NOTE: I have only started work on this table, it is not complete by a long shot!
Charites: if you care to help me, go to the members login and user our new
interactive repertoire page. Additions/modifications are just a click away!
|